Edit: I finished this post quite late at night and this morning was worried that I'd forgotten the part where I say that I actually enjoyed the gig! I did; in fact, I was pretty much beside myself throughout.
Hayley and Kirsten (LJ, friendslocked) have both blogged about the night now too.

Amazing cycling piano outside the venue.
Last night, Dave and I went to see Amanda Palmer play at Union Chapel in Islington, one of three shows she's playing in London this weekend despite not really being on tour. We went with Kirsten and met Hayley, Carina and Ruth at the venue.

Amanda Palmer
Union Chapel is a beautiful building - Victorian Gothic architecture with a vaulted octagonal hall - and much smaller than Koko's in Camden, where we saw Ms Palmer last year. Then, she was touring an impressive art show with Jason Webley, the Danger Ensemble and Zoe Keating; this time, the bulk of the evening consisted of Amanda and her Kurt Weil keyboard. She was nearly on the same level as the audience on the ground floor, and spitting distance from the third pew back, where we sat. The support act, Polly Scattergood and her band, joined Amanda onstage for a few songs during her set, and Neil Gaiman came on as well, a magnificent look of longsuffering on his face as he sang a filthy hymn.

Polly Scattergood
The intimacy of the venue and family atmosphere of the performers matched the setlist well: a mix of songs from Who Killed Amanda Palmer, older Dolls pieces that haven't often been performed and unexpected covers. I was very happy that she played my favourite WKAP song, "Runs in the Family", as well as "Delilah" from Yes, Virginia... Polly Scattergood sang the second vocal on that, from a green spotlight on the balcony, and it worked beautifully. "Oasis", towards the end of the night, was of course the big, handclapping, jolly band moment it always is. Maybe twenty minutes later, Amanda started her encore standing at the edge of the stage to sing "Me and a Gun" by Tori Amos in a strong voice into utter stillness.

Amanda Palmer
Even more so than at other AFP/Dresden Dolls gigs, there was a feeling of community at this show, both within the audience and between us and the performers. It's probably not unexpected, since Amanda Palmer, Neil Gaiman and Beth Hommel (photographer and Amanda's assistant, who was also there) are so very open and connected to the fans via blogs, Twitter, the Shadow Box forum and so on. At the same time, seeing them and Neil Gaiman's daughter Holly, who shows up in his blog now and then, in the flesh, person-sized and looking like themselves, had a strange effect - something like spotting Susan, Libby and Karl Kennedy walking down your street as a family. (Yeah, it's a Neighbours reference.)
Kirsten, Dave and I queued up for the brief signing afterwards. Kirsten had brought her WKAP book and had been gearing herself up all day to talk to Neil and Amanda when they signed it. I had forgotten my book and bought a poster, vaguely thinking I could have it signed if we happened to end up in the queue, but had given the signing itself no thought at all. Despite the feeling of knowing them both inside out (well, in part anyway) I found myself very starstruck in the crunch. At least I got out a thank you. I think that's important.
A few more of my pictures are here, and Kirstens much better ones are here.